Maxine McGinn

Your awesome Tagline

0 notes

Glass installation/paint piece. This piece utilises light and shadow to change the ambience of the space and influence the viewers reaction. The bullets motif is a common thread running through all my projects and symbolises the role of the soldier as another machine of war.

0 notes

A pen drawing of tank wheels, i love the patterns and lines  that are created in simple black and white drawing. Its simple blocks of black describe the image without being labourous, and the lines give it a simple, childlike feel

A pen drawing of tank wheels, i love the patterns and linesĀ  that are created inĀ simple black and white drawing. Its simple blocks of black describe the image without being labourous, and the lines give it a simple, childlike feel

0 notes

This is a picture of a stencil I made for a project, Its an outline of a grenade image i was using. I used a flyer from glasgow culture and sport just as a hard material to make a good solid stencil from, but in retrospect I think this is brilliant and works so well with the image, giving an irreverent slant on it. A happy accident!

This is a picture of a stencil I made for a project, Its an outline of a grenade image i was using. I used a flyer from glasgow culture and sport just as a hard material to make a good solid stencil from, but in retrospect I think this is brilliant and works so well with the image, giving an irreverent slant on it. A happy accident!

0 notes

Ingrid Calame
The artist painstakingly traces the outlines of these layers upon transparent sheets of Mylar, kneeling on the sidewalks, asphalt roadways and industrial lots. In the studio, she integrates these tracings into a single Mylar layer using different colored pencils to achieve potentially vast drawings that could well be topographical maps. But the crisp cleanness of the Mylar, the even, elegant pencil lines in two or three radiant colors, is obviously a repository for more than geographical information. Each color appears to have a direction, and within the empty mazes of lines there appears an occasional recognizable outline. In fact the artist often integrates tracings from different locations to achieve a beautifully crafted composite that represents an impossible geographic confluence

Ingrid Calame

The artist painstakingly traces the outlines of these layers upon transparent sheets of Mylar, kneeling on the sidewalks, asphalt roadways and industrial lots. In the studio, she integrates these tracings into a single Mylar layer using different colored pencils to achieve potentially vast drawings that could well be topographical maps. But the crisp cleanness of the Mylar, the even, elegant pencil lines in two or three radiant colors, is obviously a repository for more than geographical information. Each color appears to have a direction, and within the empty mazes of lines there appears an occasional recognizable outline. In fact the artist often integrates tracings from different locations to achieve a beautifully crafted composite that represents an impossible geographic confluence

0 notes

‘I’m always trying to find ways of discovering new things about people, and in the process, discover more about myself’ - Gillian Wearing